THE GUTS TO ASK
“… just ask – you might get a
totally unexpected answer…”
In the fall of 1984, after trying
to get a job in the movie industry for one and a half years, I finally landed
an internship at Aida Film Vienna. Two years earlier, I had traveled to Los
Angeles with my then boyfriend, a filmmaker. Meeting his friends in L.A.,
seeing how they lived – basically in a spare room of their studio, I recognized
that this was the adventurous world I wanted to be part of. I wanted to be and
live at the ‘scene of action.’
Still, I did not want my boyfriend to help; I wanted to build my career myself from the ground up so I‘d own it. Ideally, I would have liked to work on a major thriller like Jaws (1975), even if only as the 3rd production assistant, one who might have been hired to get coffee for the ‘important’ team members. Instead, I was the only production assistant at Aida Film.
Aida Film also didn’t produce any kind of feature films. To be precise, I was helping to produce commercials about the outstanding qualities of detergents, deodorants, and frozen vegetables and – I loved it. Since I was the only assistant, I was involved in all aspects of the production.
Every day turned out to be an
adventure: organizing, making shooting schedules, and even applying for
shooting permits with the City of Vienna or other organizations. There was only
one task I wasn’t too thrilled about – presenting casting tapes to the directors.
Most directors had a hard time selecting the actors and models they wanted to
invite for a screen test.
*
Then, about four months into the job, I was scheduled to assist director Franz Novotny with viewing tapes. Franz was a famous director. People said that he was a genius. Franz had won a Bronze Lion at the renown International Advertising Film Festival in Cannes. Not surprisingly, the best people in the industry lined up to work with him.
I prepared by quickly learning everything about Franz’s work. Most certainly I planned to watch him closely. Maybe I would be able to learn a few important tips that would make me a better production assistant.
In my mind, I kept repeating to myself, “Gisela – No mistakes! This is an awesome chance to work with a top-level director!”
*
When Franz arrived to view the tapes, I tried my very best to act as professional as possible.
Heeelp! He is 15 minutes early… Is everything ready and perfect? (Up to that day, every director I had worked with had been at least a few minutes late.)
Wow – he is getting his own refreshments… even though I offered to bring him coffee…
Franz arrived alone, without a director’s assistant. He took his own notes. I was mighty impressed with the way he worked. That’s when I developed the guts to ask the great Franz Novotny a question, after we watched tapes for a good hour.
“Say, Franz, may I ask you a question? Why do you watch these tapes without your assistant?”
I paused. He looked at me with this curious expression.
“OK,” I thought. “Maybe this wasn't such a good idea.”
“I hope this is not an improper question,” I tried to apologize. “I was just curious because I have already seen it all. Director accompanied by one assistant… director accompanied by two assistants… director accompanied by one assistant and some entourage… and here you are without any assistant. But you are one of Austria’s top directors… probably the one with the most artistic and unusual flair. So, I thought you’d come with at least one assistant.”
Franz just laughed. Then he said, “Good question.” Again, he gave me his amused look and then said, “Well, I just recently decided that I wanted to work with a new crew. I am still looking for a director’s assistant. Do you want the job?”
I was speechless.
Then, I pondered. Gisela, think! He has done it all… You have only four months of experience…
“Franz, I feel honored that you would even ask me…. I just don’t think that I already have enough experience to assist you when you have done so many great commercials.”
“Listen, Gisy,” Franz said, “I don’t need the typical kind of director’s assistant, I need an assistant who organizes the set-ups of my sets… somebody who gets everything ready so when I arrive at the location, I can start shooting. I have watched you… organization is your forte. I think you can do the job.”
I was speechless again. While I was observing him, he must have been observing me. This was my chance to work with a world class director – exclusively.
Yes, I could do what he needed. I accepted the position, left Aida-Film, and went on to work with Franz.
And so it came about that only six weeks later, I found myself riding on a tank (without weaponry) through a quarry!
We were shooting an image commercial for a bus. The quarry’s narrow roads along steep stone walls were the backdrop of some fabulous stunt scenes. The tank was needed to counterbalance the heavy bus’s weight so it couldn’t fall off one of the mining roads during the stunt scenes. Whenever we moved to a new location, we rode on the tank for fun.
This was even better than being 3rd production assistant during the shooting of Battle of the Bulge (1965), the greatest tank movie ever made. It felt like playing at the scene of action. After one-and-a-half years of persistently waiting I had arrived – I was living my almost-Hollywood-dream!
AFTER THOUGHT
Nobody had ever told me that asking questions could lead to living my dream. In the past, I had thought that the purpose of asking questions was to find answers I did not know.
On that day, I learned that asking questions is a two-way street: It reveals what we want to learn and how much we care about a certain matter.
That’s why today, all human resources experts recommend asking questions during job interviews. By doing that we may be able to prove that we are really interested in the job and not only in receiving a paycheck.




